Every Frame a Painting — The Geometry of a Scene

A few weeks ago the film geek internet lost its mind because Tony Zhou made the first new episode of Every Frame a Painting in many years. Though I thought the episode was fine, my favorite of his is the one below.

If you're not a film buff and have never really understood what makes one film dynamic and another a bore — of if you're unaware of what a director does, or what blocking is, give it a watch:

And if you enjoyed that, the whole series is here.


Gilgan

I've often joked that there's a Heron that watches over me. In LA, Spain, Vanuatu, The Dominican, and here in Toronto. I'd swear it's the same bird.

And then there's Yaren, a Stork that lives half the year in Africa and half the year in this livestreamed nest in Turkey.

Yaren not only returns to Turkey every March, she returns to the same friend, a Turkish fisherman named Adem Yılmaz. They've spent each Spring and Summer together since 2010.

More on Yaren's Wikipedia page.


Rescued Firehoses, Parachutes, and Burberry Leather

Elvis & Kresse make bags, wallets, and rugs from upcycled firehoses, parachutes, and rescued Burberry Leather. I find their size decisions to be rather odd (for instance, the bag below does not fit a Macbook Air) and I've never been a fan of companies gendering their products, but I can't deny they make gorgeous items that are intelligently and thoughtfully designed. Wonderful details.

Sustainable & Ethical Luxury: Elvis & Kresse - Designer Accessories
Multi award-winning Elvis & Kresse craft reclaimed materials into sustainable luxury lifestyle bags and accessories. All our designer accessories are ethically handmade with 50% of profits donated to Charities. Our rescued materials include fire-hose, leather off-cuts, printing blanket and parachute silk to name a few.

Two Technical Issues

I interrupt this blog to note two things:

  1. There's an issue with the mailing list where replies you send vanish into the aether. If you responded to one of my mailouts, I didn't get it. Please resend to lincoln@atinybell.com. Obviously, I'm working on a solution. If you're not on the mailing list and would like to be, sign up for a membership.
  2. I've been busy the last few days preparing for an upcoming record fair (I sell vinyl records for a living), so A Tiny Bell has taken a bit of a hit this week (as has the Distant Diary). Things will be back to normal soon. Fair runs Saturday and Sunday.

Cheers, and thanks for your understanding.


I Dismember You Well, Chelsea Hotel

Chelsea Hotel doors for Andy Warhol, Bob Marley, and Jack Kerouac

Amazed I hadn't heard this story before: in 2011, the Chelsea Hotel did a massive renovation. Recognizing the history here that the hotel seems to have missed, Jim Georgiou, a homeless man, rescued the doors from demolition and spent seven years storing and researching who had lived behind them. Once complete, he sold them at auction and donated half the proceeds to City Harvest food bank.

Guensey's, the auction house, handled the sale:

Guernsey’s will be offering 52 original doors from New York City’s legendary Chelsea Hotel. The hotel was the haunt and home of some of the most iconic individuals in history. Jimi Hendrix, Janis Joplin, Andy Warhol, Jim Morrison, Jackson Pollock, Jerry Garcia — these are only some of the names linked to these doors. The doors to the rooms where Warhol shot his movie Chelsea Girls, where Cohen and Joplin had a one-night stand, and where Bob Dylan wrote songs for Blonde on Blonde are all included in this sale!

Some of the prices: Bob Dylan, $125,000; Janis Joplin / Leonard Cohen, $106,250; Andy Warhol / Edie Sedgwick, $ 65,625; Jack Kerouac, $ 37,500; Madonna / Isabella Rossellini, $16,250; Jimi Hendrix, $16,250; Joni Mitchell, $10,000; Bob Marley, $8,750; Jackson Pollock, $8,750; and an unattributed red door with a striking painted eye, $12,500.

Chelsea Hotel doors for Jackson Pollack, Jimi Hendrix, and Janis Joplin
Chelsea Hotel doors for Joni Mitchell / Quentin Crisp and Mark Twain / Brendan Behan

Here's a gift link to the April 12, 2018 NYT article on it.


Spain — September 12, 2017

This post is part of a longer project, Distant Diary — Spain. All entries are gathered on this page, along with an explanation and some background.

DAY 8

Freedom.

Mentally untethered to the possibility that my host may eat my beating heart, I wake early and start walking south along the shore. I find myself in Denia, though amazingly do not make it to the mountain I spotted a few days earlier.

While I walk, I listen to David Whyte's What To Remember When Waking.

In it, he reads his poem Todar Phadraic. It is not my favorite of his works, but its genesis interests me as it's the first I hear of the Tuatha Dé Danann, a mythological race of people who lived in Ireland. Uninterested in battle, they "turned sideways into the light and disappear into the originality of it all." Whyte describes this event as them "no longer wanting to have that conversation." This interests me because I know that if I do not expire on the Mediterranean, I do not wish to return to the place and life that I left behind exactly one week ago.

It is the tedium of modern life that chisels away at me, and it is that which I hope to dance around while tricking it into thinking I'm dancing with.

I recall what Scott Rosenberg taught me in my 20s: give it a name, so I Christen it the time-rich life. Simultaneously, Jim James puts his lips to my ear: "Tryin' gets nothing done."

As always, I walk.

Sardines are cheap at the Super Mercado. A different breakfast for Nina.

I close the day sleeping with the bedroom door open.

52KM.

I wake a few hours later with a full bladder. Raised by women (mother, aunt, sisters, grandmother), I've always peed seated. Tonight's no exception. Sitting there, I feel something soft against my calfs. Blanche sidling by. I bend to stroke her and rise bloodied.


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