




Street photographer Meryl Meisler's got a new book, Street Walker. It's available from Eyeshot and they're only printing as many copies as are pre-ordered.
Street photographer Meryl Meisler's got a new book, Street Walker. It's available from Eyeshot and they're only printing as many copies as are pre-ordered.
Elvis & Kresse make bags, wallets, and rugs from upcycled firehoses, parachutes, and rescued Burberry Leather. I find their size decisions to be rather odd (for instance, the bag below does not fit a Macbook Air) and I've never been a fan of companies gendering their products, but I can't deny they make gorgeous items that are intelligently and thoughtfully designed. Wonderful details.
David Szauder creates these Anatomy Sweaters using AI, which unfortunately means you can't purchase them.
You can, of course, view more on David's Site.
I interrupt this blog to note two things:
Cheers, and thanks for your understanding.
Amazed I hadn't heard this story before: in 2011, the Chelsea Hotel did a massive renovation. Recognizing the history here that the hotel seems to have missed, Jim Georgiou, a homeless man, rescued the doors from demolition and spent seven years storing and researching who had lived behind them. Once complete, he sold them at auction and donated half the proceeds to City Harvest food bank.
Guensey's, the auction house, handled the sale:
Guernsey’s will be offering 52 original doors from New York City’s legendary Chelsea Hotel. The hotel was the haunt and home of some of the most iconic individuals in history. Jimi Hendrix, Janis Joplin, Andy Warhol, Jim Morrison, Jackson Pollock, Jerry Garcia — these are only some of the names linked to these doors. The doors to the rooms where Warhol shot his movie Chelsea Girls, where Cohen and Joplin had a one-night stand, and where Bob Dylan wrote songs for Blonde on Blonde are all included in this sale!
Some of the prices: Bob Dylan, $125,000; Janis Joplin / Leonard Cohen, $106,250; Andy Warhol / Edie Sedgwick, $ 65,625; Jack Kerouac, $ 37,500; Madonna / Isabella Rossellini, $16,250; Jimi Hendrix, $16,250; Joni Mitchell, $10,000; Bob Marley, $8,750; Jackson Pollock, $8,750; and an unattributed red door with a striking painted eye, $12,500.
Here's a gift link to the April 12, 2018 NYT article on it.
Screenwriter David Koepp has a website where you can read drafts of his scripts. Box office-wise, he's one of the most successful screenwriters of all time. Though I'm a hit and miss (mostly miss) on much of his work, I do quite like Panic Room and The Trigger Effect (which he also directed).
Freedom.
Mentally untethered to the possibility that my host may eat my beating heart, I wake early and start walking south along the shore. I find myself in Denia, though amazingly do not make it to the mountain I spotted a few days earlier.
While I walk, I listen to David Whyte's What To Remember When Waking.
In it, he reads his poem Todar Phadraic. It is not my favorite of his works, but its genesis interests me as it's the first I hear of the Tuatha Dé Danann, a mythological race of people who lived in Ireland. Uninterested in battle, they "turned sideways into the light and disappear into the originality of it all." Whyte describes this event as them "no longer wanting to have that conversation." This interests me because I know that if I do not expire on the Mediterranean, I do not wish to return to the place and life that I left behind exactly one week ago.
It is the tedium of modern life that chisels away at me, and it is that which I hope to dance around while tricking it into thinking I'm dancing with.
I recall what Scott Rosenberg taught me in my 20s: give it a name, so I Christen it the time-rich life. Simultaneously, Jim James puts his lips to my ear: "Tryin' gets nothing done."
As always, I walk.
Sardines are cheap at the Super Mercado. A different breakfast for Nina.
I close the day sleeping with the bedroom door open.
52KM.
I wake a few hours later with a full bladder. Raised by women (mother, aunt, sisters, grandmother), I've always peed seated. Tonight's no exception. Sitting there, I feel something soft against my calfs. Blanche sidling by. I bend to stroke her and rise bloodied.
Richard Sandler's exquisite NY photography spans decades.
Many, many more on his website.
Joe picks up Arianne. They're off to the airport.
I decide to branch out from the Playa and head to and beyond the city proper. There are orange groves between us and a ton of loud guard dogs, most of which are behind fences. I find a "mountain" with a portion of castle atop it. Looking down from the other side you can get a good look at the whole of Oliva.
I don't yet know the cities beyond, but vow to get out to them.
There's a stray cat on the property who had kittens a couple weeks before I arrived. Arianne calls her Nina. I get along with her much better than I do with Blanche, my charge.
For a late lunch, I discover Ca Fran. Civilized portions of local foods. Solid Vermouth. I teach the young barkeep to make a martini. Mid-day, I'm the only customer and feel comfortable bringing out my keyboard to do some writing.
When I get back, Arianne has packed and is ready to go, despite there being another 16 hours before Joe picks her up in his taxi, she sits on the couch, hands folded in her lap, waiting.
I decide to press my employer on her past. I find out:
She never explained what they were after. Why they'd be following her.
When I ask why Abu Dhabi, she says it's been a lifelong dream. I ask, why, then, are you only staying 4 days. An answer in Maltese comes. When I ask what that means, she stares.
In fact, each time she speaks to me, I feel she's trying to gauge whether I can be trusted — not with the house, but with her answer.
At that moment, I know something very bad is going to happen. Don't know where or why.
After the sun sinks, wild dogs can be heard fighting and barking through the night.