New Colin Stetson

I honestly believe Colin Stetson to be one of the greatest horn players of all time. I am thrilled with his new album, When We Were That What Wept for the Sea. What a gift.

If you're not familiar with Stetson — live, he's a sight to behold. Keep in mind that in the following performance, he is using no loop pedal, no accompaniment, and all the sounds you are hearing are generated live from his mouth, throat, horn, and fingers, which he sometimes uses for percussion:

One of my favorite tracks by him is The Righteous Wrath of an Honorable Man. The original is on his album, The History of Modern Warfare, Vol. 2 —Judges. Here is is performing it live:


Blue Note Covers

Blue Note Records has some of the best designed album jackets ever. The Reid Miles-designed covers of the 50s and 60s are particularly stunning and used label co-founder Francis Wolff's photos to great effect.

The label was formed in 1939 and is still operating today. Check out these covers — they're all gorgeous —

A number of them I'd even call iconic (Una Mas, No Room for Squares, Evolution, Smoke Stack, Idle Moments, My Point of View...). Unbelievably, all of the above are from just one year: 1963 — and they're not even all of the '63 covers!

A complete timeline of Blue Note Records album covers is available on the label's website.


Jørgen Dahl Moe and Digressions

I'm at a loss for words at how extraordinary I find Jørgen Dahl Moe's cover of Bruce Springsteen's cover of Dancing In the Dark. One of the most disarming voices I've heard. The judges look like they're watching a magic trick they can't fathom.

I'd love a copy of the track without the judges' interruptions, but I don't subscribe to Spotify or Apple Music, so I'll have to do without. There's another version on Youtube that is the full song but it lacks a bit of the charm:

Speaking of Springsteen and covers, his interpretation of Suicide's Dream Baby Dream is the best thing he's ever recorded, imo. Here's the vinyl-released version that someone's paired up with footage from FW Murnau's tremendous silent film, Sunrise: A Tale of Two Humans:

Springsteen recorded the track to celebrate songwriter Alan Vega's 70th birthday. It was released on vinyl as a 10" and limited to 4000 numbered copies by Blast First Petite.

Suicide's original (below) was recently used during the closing credits of the film Civil War.

Murnau's film was released in 1927, which puts it in the public domain. You can view it here:

Sunrise has a considerable number of in-camera effects, which were discussed by film scholar Janet Bergstrom in 2013.

Alan Vega died in 2016. I love his 1994 collaboration with Mercury Rev:

But my favorite Mercury Rev piece is probably their accompaniment to Robert Creeley's reading of So There, a much-loved (by me) poem:

Creeley taught at SUNY, where Mercury Rev's founders were students.

Moving on. Mr. Ocean,
       Mr. Sky's
got the biggest blue eyes
       in creation –

here comes the sun!
       While we can,
let's do it, let's
       have fun.

Indeed.


Money Is the One True God

This is an excellent track and a wonderful video. The song is by Blake Mills and the animation is by Lachlan Turczan, who says, "I made hi-resolution scans of banknotes from 23 countries ranging from the 1800s to the modern-day."

Watch at full screen.

Turczan continues, "Machine learning was used to further enhance these scans so that I could zoom in on the intricacies of the engravings. Using replacement animation techniques, the guilloché patterns wash over the viewer in a barrage of linework and geometry. Iconic scenes throughout history are also shown: the age of exploration leads to industrialization, wonders of the world are replaced by office buildings and icons of freedom stand in stark contrast to images of slavery. The project culminates with the collective eyes of all world leaders staring back at the audience."

More like this, please.


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